on demand
In a world saturated with information, the real challenge is learning how to learn.
The On-Demand format gives you the freedom to manage your own time, while Tango Coaching® provides the tools to deepen and refine your practice.
The tango we want to live is right here — in your hands.
Available now
For you, wherever you are.
This is how the Tango Coaching® Store works:
Guide – Index | On-Demand Classes
Available categories today: SPECIALS and WEEKLY.
SPECIALS: A space for condensed transmission: a lot of information is presented in a short time, with a clear structure and a thematic focus—one or several well-defined axes. It’s a space to open your mind, receive frameworks, cues, ideas, and sequences that each person will continue to develop at their own pace. ALL SPECIAL videos Here<<<
WEEKLY: A space for present practice: knowledge is not delivered as a “closed package” but is built through doing, observing, and correcting in the moment. The information unfolds in dialogue with what’s happening there, with the bodies in motion, and with what is revealed along the way. ALL WEEKLY videos Here<<<
Specials - INTENSIVOS
Both roles. Solo practice. Duration between 29 and 35 min. Full seminar: 2h10 min.
Single classes or Pack X4 with 20% off. About INTENSIVOS Here<<<
- INTENSIVOS C1 —PLANEOS: Rotation and opening. Here<<<
- INTENSIVOS C2 —CUARTAS: Leg lines. Here<<<
- INTENSIVOS C3 —VOLEOS: Release and direct. Here <<<
- INTENSIVOS C4 —REBOTES: Pushes and unloads. Here<<<
- INTENSIVOS PACK X4 con 20% OFF y dos meses de acceso ilimitado.— PLANEOS + CUARTAS + VOLEOS + REBOTES. Here<<<
Specials - ADORNOS
Led role in heels. Práctica individual en barra. Duration between 13 and 19 min. Full seminar: 1h25 min. Solo practice at the barre. Single classes or full seminar with 15% OFF.
All about ADORNOS Here<<<
- ADORNOS C1 —‘The character of your footstep.’: Foot details throughout the entire journey of the step.Here <<<
- ADORNOS C2 —‘Playing in the air’:Drawing the ocho forward and backward.. Here<<<
- ADORNOS C3 —The ‘arrow’ and its trail: Projected energy and what lingers behind. Here<<<
- ADORNOS C4 —‘Parada en passé’: A suspended moment with a precise line. Here<<<
- ADORNOS FULL SEMINAR —the 4 classes together with 15% OFF + BONUS: Intro to Adornos and Warm-up. Acá<<<
Weekly - Tango Training
Both roles. Solo and duo practice. Duration between 40 min and 1h05 min. About Weekly Training Here<<<
#23 — TORSO AND SHOULDER GIRDLE | Is the leading from the torso or from the hands?? Here<<<
We differentiate between the TORso and the SHOULDER GIRDLE, and the lead from both areas, aiming for a blend of both, depending on when and for what purpose.
#11 — CAMINATA – WALKING | Straight leg or bent leg? Here<<<
The walk, the cadence. Available knees vs. locked knees.
#66 — Pivots, ochos, pasos and sacadas | How to find ‘neutrality’? Here<<<
We study the vertical axis, spirals, how to create space, and how to find ‘neutrality.’ We practice in pairs with a sacada in forward steps, going in different directions with over-rotated pivots.
#2 — BODILY AWARENESS | Ideas about the embrace. Here<<<
We work on muscle tone and range. We study the journey from the first impulse to the arrival. We use a beautiful and challenging sacada sequence as an example, with over-rotated pivots in both roles.
#18 — THE BETWEEN | Respond vs react. Here<<<
We worked on spirals: dissociating and twisting. We put these concepts into practice with a short sequence of a parada. We traced the leg that comes FROM BEHIND, spiraled and expansive.
#87 — SPIRALS | Pivots and Voleos. Here<<<
We studied the positioning of the torsos in relation to the other person. We practiced forward and backward voleo, and finished with a dynamic, loose pivot exercise combined with a ‘line turn’ sequence, with both roles ‘voleoing smoothly at the same time’.
#15 — THE 3 EMBRACES | How Do We Modify the Embrace? Here<<<
How, when, and in what way. We studied details of ‘3 types’ of embraces. We worked on this with a sequence involving a cross lead and a big stop at the cross, modifying the embrace with precise and sensitive cues.
#70 — THE WALK | Experimenting with the journey of the step. Here<<<
Gradually stretch/flex the legs without changing the floating level. Use the flexion to go out and come back: once we know where we’re going, the question is when and how. Half-turn sequence, with lots of pivoting and effects from different dynamics.
#30 — The PIVOT | Connection, Coordination, and Stops/limits. Here<<<
Spirals and pivots as a stop. We worked on expansive dancing through coordination and synchronicity. We practiced a ‘linear giro’ sequence: forward, side, back, with a stop at the forward cross to change direction.
#99 — THE EMBRACE | Distance and Connection. Here<<<
The back as a place of power, and the chest as a place to embrace. The connection and distance between bodies in tango dance. A sequence of back ochos with sanguchito and parada, constantly modifying the distance and moving through the 3 embraces we explored in class #15.
🎾 PELOTITAS Pack X4 —4 classes = 4 videos with 10% OFF. Both roles. Solo and duo practice. Unlimited access for 2 months. Here<<<
#51 Pelotita 1— CAMINATA | Pushes, landings and rotation. Here<<<
We studied the contact of the feet with the floor, after activating sensorimotor awareness and “texturizing” with the ball. Small, medium, or long step? With or without rotation? We used the tile as a “sequence” to train each moment of the step with full awareness.
#43 Pelotita 2 — GRADUALITY | Star exercise. Here<<<
What does it mean to HAVE WEIGHT?
Stability, awareness, balance, and weight. The weight on both legs: the supporting one and the free one. The journey of the step. Twisting energy: releases and pushes. The sequence is a deep salida in a back step.
#37 Pelotita 3 — PIRIFORMIS | Navigating the Journey of the Step. Here<<<
Using the ball, we release the piriformis to free the groin, hips, pelvis, and lower back. We explore the hip’s pathway through the step using the foot–sit bone formula, and work on a deep sacada sequence that flows into a strong, sweeping planeo.
#93 Pelotita 4 — PIVOTS | Pushes, spirals, and voleos. Here<<<
We studied the sensation of pushing, flexion, and release through the ball to integrate it with pivots. We practiced pivots individually, and as a result, volleys emerged with ‘soft strength’: a lot of rebound, internal spiral, and verticality in the axis.
If it's exciting to even think about it, imagine doing it.
Looking for Suggestions?
We’ve put together this selection so you can decide where to start — or how to continue along the path.
Everything is connected: the EMBRACE relates to the WALK, and also to the PIVOT.
Sometimes, to practice better, we need to isolate one aspect, focus on a part, and then reintegrate everything into the body and the dance.
It’s such a joy to share this journey! We’ll keep building it together from there.
About EMBRACE - ABRAZO
About WALKING - CAMINAR
Buying in 5 easy steps:
To make the leap you have to jump
Experiences that inspire:
“El estilo de Alejandra Gutty se distingue por su intensidad emocional y refinada estética.
Talking Broadway dijo: ‘Su figura es monumental, con maravillosas curvas en sus piernas que eclipsan a Cyd Charisse en sus días de MGM…”
Su recorrido atraviesa el tango tradicional y sus fusiones contemporáneas —desde Broadway con ‘Forever Tango’ al cine con ‘Un tango más’, junto a María Nieves y Juan Carlos Copes.
Ontological Coach (ICF) and creator of Tango Coaching® (2015), an innovative approach to tango as both dance and language — an artistic tool that expands creation, movement, and connection.